| dc.contributor.advisor |
Párnický, Stanislav
|
|
| dc.contributor.author |
Klaudíny, Juraj
|
|
| dc.date.accessioned |
2015-03-08T20:53:12Z |
|
| dc.date.available |
2015-03-08T20:53:12Z |
|
| dc.date.issued |
2013-12-02 |
|
| dc.identifier |
Elektronický archiv Knihovny UTB |
|
| dc.identifier.uri |
http://hdl.handle.net/10563/27734
|
|
| dc.description.abstract |
Dejiny umenia sa vždy spájali so sledovaním podôb krásy, sú zrkadlom povahy a schopností človeka. Práca popisuje umenie a ľudstvo z pohľadu zobrazovania škaredosti. Skúma spoločenský a psychologický vývoj podľa pozorovaní umenia počas jednotlivých umeleckých období, za použitia štyroch presne určených symbolov škaredosti. Symbol škandálu, násilia, monštra a symbol sexuality, ktorých podoba v 20. storočí vyvrcholí filmovým umením. |
|
| dc.format |
64 s. (97 965 znakov) |
|
| dc.language.iso |
sk |
|
| dc.publisher |
Univerzita Tomáše Bati ve Zlíně |
|
| dc.rights |
Bez omezení |
|
| dc.subject |
škaredosť
|
cs |
| dc.subject |
monštrum
|
cs |
| dc.subject |
horor
|
cs |
| dc.subject |
umenie
|
cs |
| dc.subject |
film
|
cs |
| dc.subject |
násilie
|
cs |
| dc.subject |
homosexualita
|
cs |
| dc.subject |
trend
|
cs |
| dc.subject |
ugliness
|
en |
| dc.subject |
monster
|
en |
| dc.subject |
horror
|
en |
| dc.subject |
art
|
en |
| dc.subject |
film
|
en |
| dc.subject |
violence
|
en |
| dc.subject |
homosexuality
|
en |
| dc.subject |
trend
|
en |
| dc.title |
1. Teoretická část: Estetizace ošklivosti ve vztahu k psychologii vnímání diváka 2. Praktická část: Dokumentární film: Lovefool, délka min. 20 min., režie |
|
| dc.title.alternative |
1. Theoretical Part: Aestheticization of Ugliness in Relation to the Psychology of the Audience 2. Practical part: Lovefool, minimum footage 20 minutes, directing |
|
| dc.type |
diplomová práce |
cs |
| dc.contributor.referee |
Labík, Ludovít |
|
| dc.contributor.referee |
Párnický, Stanislav |
|
| dc.date.accepted |
2014-06-20 |
|
| dc.description.abstract-translated |
The history of art has always been associated with the monitoring of the forms of beauty, which are a reflection of the human character and the human abilities. This thesis describes the art history and the mankind based on imaging the ugliness. It examines the social and psychological development due to observations of the arts during the different artistic periods by using four precisely defined symbols of ugliness. Symbol of scandal, violence, monster and a symbol of sexuality, whose form in the 20th century, culminates the film arts. |
|
| dc.description.department |
Ústav animace a audiovize |
|
| dc.thesis.degree-discipline |
Audiovizuální tvorba - Režie a scenáristika |
cs |
| dc.thesis.degree-discipline |
Audiovisual Arts - Directing and Screenwriting |
en |
| dc.thesis.degree-grantor |
Univerzita Tomáše Bati ve Zlíně. Fakulta multimediálních komunikací |
cs |
| dc.thesis.degree-grantor |
Tomas Bata University in Zlín. Faculty of Multimedia Communications |
en |
| dc.thesis.degree-name |
MgA. |
|
| dc.thesis.degree-program |
Teorie a praxe audiovizuální tvorby |
cs |
| dc.thesis.degree-program |
Theory and Practice of Audiovisual Arts |
en |
| dc.identifier.stag |
33021
|
|
| utb.result.grade |
B |
|
| dc.date.submitted |
2014-05-14 |
|
