dc.contributor.advisor | Vašků, Michael | |
dc.contributor.author | Holíková, Veronika | |
dc.date.accessioned | 2015-07-24T12:29:01Z | |
dc.date.available | 2015-07-24T12:29:01Z | |
dc.date.issued | 2014-11-03 | |
dc.identifier | Elektronický archiv Knihovny UTB | |
dc.identifier.uri | http://hdl.handle.net/10563/31839 | |
dc.description.abstract | Práce shrnuje nejdůležitější momenty v historii grafického designu, ve kterých dřevo hrálo významnou roli. Zaobírá se především vývojem dřevěné matrice, mexickou tradiční grafickou, ale i současnými tendencemi v grafickém designu, využívajícími dřevo technologicky i koncepčně. | |
dc.format | 67 | |
dc.format.extent | 17357833 | |
dc.language.iso | cs | |
dc.publisher | Univerzita Tomáše Bati ve Zlíně | |
dc.rights | Bez omezení | |
dc.subject | Grafický design | cs |
dc.subject | vizuální komunikace | cs |
dc.subject | typografie | cs |
dc.subject | dřevo | cs |
dc.subject | dřevořez | cs |
dc.subject | dřevoryt | cs |
dc.subject | xylografie | cs |
dc.subject | tisk | cs |
dc.subject | knihtisk | cs |
dc.subject | matrice | cs |
dc.subject | egyptienka | cs |
dc.subject | Century Guild of Artists | cs |
dc.subject | mexická grafika | cs |
dc.subject | Taller de Gráfica Popular | cs |
dc.subject | José Guadalupe Posada | cs |
dc.subject | Calaveras | cs |
dc.subject | symbolika | cs |
dc.subject | logo | cs |
dc.subject | logotyp | cs |
dc.subject | vizuální identita | cs |
dc.subject | vintage | cs |
dc.subject | font | cs |
dc.subject | ekologický design | cs |
dc.subject | laserování | cs |
dc.subject | Graphic Design | en |
dc.subject | Visual Communication | en |
dc.subject | Typography | en |
dc.subject | Wood | en |
dc.subject | Woodcut | en |
dc.subject | Wood Engraving | en |
dc.subject | Xylography | en |
dc.subject | en | |
dc.subject | Letterpress Printing | en |
dc.subject | Slab Serif | en |
dc.subject | Century Guild of Artists | en |
dc.subject | Mexican Graphic | en |
dc.subject | Taller de Gráfica Popular | en |
dc.subject | José Guadalupe Posada | en |
dc.subject | Calaveras | en |
dc.subject | Symbolism | en |
dc.subject | Logo | en |
dc.subject | Logotype | en |
dc.subject | Visual Identity | en |
dc.subject | Vintage | en |
dc.subject | Font | en |
dc.subject | Ecodesign | en |
dc.subject | Laser Engraving | en |
dc.title | Dřevo v grafickém designu | |
dc.title.alternative | Wood in Graphic Design | |
dc.type | diplomová práce | cs |
dc.contributor.referee | Kajnar, Lumír | |
dc.date.accepted | 2015-06-11 | |
dc.description.abstract-translated | This work summarizes the most important moments in the history of wooden material in the context of development of the graphic design. It also shows evolution of wood as a printing tool, traditional mexican graphic art and contemporary trends in graphic design using wood as a technological and conceptional material. | |
dc.description.department | Ateliér Grafický design | |
dc.thesis.degree-discipline | Multimédia a design - Grafický design | cs |
dc.thesis.degree-discipline | Multimedia and Design - Graphic Design | en |
dc.thesis.degree-grantor | Univerzita Tomáše Bati ve Zlíně. Fakulta multimediálních komunikací | cs |
dc.thesis.degree-grantor | Tomas Bata University in Zlín. Faculty of Multimedia Communications | en |
dc.thesis.degree-name | MgA. | |
dc.thesis.degree-program | Výtvarná umění | cs |
dc.thesis.degree-program | Visual Arts | en |
dc.identifier.stag | 38315 | |
utb.result.grade | A | |
dc.date.submitted | 2015-05-15 |
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holíková_2015_dp.pdf | 16.55Mb |
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holíková_2015_op.pdf | 182.1Kb |
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holíková_2015_vp.pdf | 498.7Kb |
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