Záporný protagonista a role antagonisty v žánru thriller
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dc.contributor.advisor |
Gogola, Jan
|
|
dc.contributor.advisor |
Janíková, Jana
|
|
dc.contributor.author |
Orság, Pavel
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dc.date.accessioned |
2019-07-04T09:10:41Z |
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dc.date.available |
2019-07-04T09:10:41Z |
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dc.date.issued |
2019-02-26 |
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dc.identifier |
Elektronický archiv Knihovny UTB |
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dc.identifier.uri |
http://hdl.handle.net/10563/44350
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dc.description.abstract |
Diplomová práce zkoumá narativní postupy thrillerového žánru, z hlediska dramaturgické práce s postavami a hledá východiska pro jejich tvorbu, funkci a zkoumá vnitřní mechanismy s ohledy na rizika, která obnáší práce se záporným protagonistou i rolí antagonismu. |
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dc.format |
76 |
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dc.language.iso |
cs |
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dc.publisher |
Univerzita Tomáše Bati ve Zlíně |
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dc.rights |
Bez omezení |
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dc.subject |
protagonista
|
cs |
dc.subject |
záporný
|
cs |
dc.subject |
dramaturgie
|
cs |
dc.subject |
antagonista
|
cs |
dc.subject |
hrdina
|
cs |
dc.subject |
struktura
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cs |
dc.subject |
film
|
cs |
dc.subject |
narativ
|
cs |
dc.subject |
úspěch
|
cs |
dc.subject |
postava
|
cs |
dc.subject |
thriller
|
cs |
dc.subject |
napětí
|
cs |
dc.subject |
protagonist
|
en |
dc.subject |
negative
|
en |
dc.subject |
dramaturgy
|
en |
dc.subject |
antagonist
|
en |
dc.subject |
structure
|
en |
dc.subject |
hero
|
en |
dc.subject |
film
|
en |
dc.subject |
narative
|
en |
dc.subject |
success
|
en |
dc.subject |
character
|
en |
dc.subject |
thriller
|
en |
dc.subject |
suspense
|
en |
dc.title |
Záporný protagonista a role antagonisty v žánru thriller |
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dc.title.alternative |
1. Theoretical Part: Negative Protagonist and a Role of Antagonist in Thriller Genre 2. Practical Part: Audiovisual Piece or Set of Works, Length at Least 20 min |
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dc.type |
diplomová práce |
cs |
dc.contributor.referee |
Garguláková, Karolína |
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dc.contributor.referee |
Hanák, Jan |
|
dc.date.accepted |
2019-06-12 |
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dc.description.abstract-translated |
This diploma thesis explores narrative processes of the thriller genre in terms of dramaturgical character's work and seeks the basis for their creation, function and internal mechanisms, with regard to risks involved in working with the negative protagonist and the role of antagonism. |
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dc.description.department |
Ateliér Audiovize |
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dc.thesis.degree-discipline |
Audiovizuální tvorba - Režie a scenáristika |
cs |
dc.thesis.degree-discipline |
Audiovisual Arts - Directing and Screenwriting |
en |
dc.thesis.degree-grantor |
Univerzita Tomáše Bati ve Zlíně. Fakulta multimediálních komunikací |
cs |
dc.thesis.degree-grantor |
Tomas Bata University in Zlín. Faculty of Multimedia Communications |
en |
dc.thesis.degree-name |
MgA. |
|
dc.thesis.degree-program |
Teorie a praxe audiovizuální tvorby |
cs |
dc.thesis.degree-program |
Theory and Practice of Audiovisual Arts |
en |
dc.identifier.stag |
51418
|
|
utb.result.grade |
C |
|
dc.date.submitted |
2019-05-07 |
|
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