| dc.contributor.advisor |
Trančík, Dušan
|
|
| dc.contributor.author |
Urbánková, Barbora
|
|
| dc.date.accessioned |
2010-07-17T20:21:57Z |
|
| dc.date.available |
2010-07-17T20:21:57Z |
|
| dc.date.issued |
2009-05-11 |
|
| dc.identifier |
Elektronický archiv Knihovny UTB |
cs |
| dc.identifier.uri |
http://hdl.handle.net/10563/9372
|
|
| dc.description.abstract |
V mé prácí pojednávám o začátcích animace ve spojených státech. Uvádím první režiséry a animátory a jejích filmy, počáteční techniky a jejích vývoj, stejně tak nekonečný souboj mezi firmami a umělci. Dále se zaměrují na Disneye, největšího mistra animovaného filmu, a jeho spolupracovníka Ub Iwerkse, jeho největší ůspěchý v krátkem filmu, způsoby, jakým řídil své studio, a končím s jeho prvním celovečerním filmem, Sněhurkou. |
cs |
| dc.format |
42 s. |
cs |
| dc.format.extent |
1184658 bytes |
cs |
| dc.format.mimetype |
application/pdf |
cs |
| dc.language.iso |
cs |
|
| dc.publisher |
Univerzita Tomáše Bati ve Zlíně |
|
| dc.rights |
Bez omezení |
|
| dc.subject |
walt
|
cs |
| dc.subject |
disney
|
cs |
| dc.subject |
animace
|
cs |
| dc.subject |
USA
|
cs |
| dc.subject |
goteska
|
cs |
| dc.subject |
technicolor
|
cs |
| dc.subject |
Ub
|
cs |
| dc.subject |
Iwerks
|
cs |
| dc.subject |
Walt
|
en |
| dc.subject |
Disney
|
en |
| dc.subject |
animation
|
en |
| dc.subject |
USA
|
en |
| dc.subject |
grotesque
|
en |
| dc.subject |
technicolor
|
en |
| dc.subject |
Ub
|
en |
| dc.subject |
Iwerks
|
en |
| dc.title |
Průkopníci animovaného filmu v USA - W. Disney a jeho animovaná groteska |
cs |
| dc.title.alternative |
1.Forefathers of the Animated film in USA - Walt Disney and his animated grotesque 2.The last Witch |
en |
| dc.type |
bakalářská práce |
cs |
| dc.contributor.referee |
|
|
| dc.date.accepted |
2009-05-26 |
|
| dc.description.abstract-translated |
In my bachelor work I've chosen to deal with the very beginnings of th animated film in the united states of America. I'm introducing the first animators and directors, as well as their movies, their techniques and the way they developed. I also refer to the endless war between the companies and the artists. Half of the work itself is dedicated to Walt Disney, the most famous creator of animated films, alongside with his trusted animator, Ub Iwerks. I introduce his biggest successes in the field of short-length animated films and the way he run his studio, finishing with a few words about his first full-lenght film, Snow White. |
en |
| dc.description.department |
Vyšší odborná škola filmová Zlín |
cs |
| dc.description.result |
obhájeno |
cs |
| dc.parent.uri |
http://hdl.handle.net/10563/131
|
cs |
| dc.parent.uri |
http://hdl.handle.net/10563/220
|
cs |
| dc.thesis.degree-discipline |
Klasická animovaná tvorba |
cs |
| dc.thesis.degree-discipline |
Classical Animation |
en |
| dc.thesis.degree-grantor |
Univerzita Tomáše Bati ve Zlíně. Fakulta multimediálních komunikací |
cs |
| dc.thesis.degree-grantor |
Tomas Bata University in Zlín. Faculty of Multimedia Communications |
en |
| dc.thesis.degree-name |
BcA. |
cs |
| dc.thesis.degree-program |
Výtvarná umění |
cs |
| dc.thesis.degree-program |
Fine Arts |
en |
| dc.identifier.stag |
7985
|
|
| dc.date.assigned |
2009-01-05 |
|
| utb.result.grade |
C |
|
